Grey Cube Gallery proudly presents the fourth “Waters” online art contest for the month of July 2023. Best of Show will be on the poster of the show. All winning artists (Merit Award & Honorable Mention) will receive a digital award certificate. Open to all artists worldwide over 18 years of age. The Waters theme may include any work with depiction of the Water (rivers, lakes, oceans, waterfalls, seascapes, streams, ponds). All visual art mediums (except video and sound) are allowed. $20 for 2 images, $30 for 4, $42 for 6, and $50 for up to 8 images. Deadline: July 6, 2023.
Temporary
Studio System Experimental Residency
Torrance Art Museum is proud to present its Studio System Experimental Residency project. The project, ongoing since 2015, emerges from TAM’s desire to bridge the gap between artistic practice and the public. Studio System seeks to bring the dynamism of the artist’s studio into the museum space, encouraging audiences to see works in process. Visitors are encouraged to directly interact with the artists and discuss inspirations, sources, thoughts, feelings, content and context, as well as chart the progression of the works over the 20+ day project with aims toward a greater public appreciation of art, artists and public art institutions.
The 8 person cohort of artists will be curated from open-call submissions. The selected group will utilize the Main Gallery as their studio for the period of the program.
The 2024 Studio System will run Tuesday June 4th to Saturday June 29th, when the final exhibition reception will be held, 6-9pm.
To be considered for participation in the 2024 Studio System, please submit an application via this form ( https://forms.gle/jzhWfKjAx4zSrWW56 ) . The program is open to both local and international artists, but there is no accommodations or travel budget included in this program.
Deadline to apply is Saturday February 24th, 2024.
SFSIA 2023 | Cognitive Justice and the Crisis of Epistemology
This year’s Saas-Fee Summer Institute of Art has been co-conceived with Abdul-Karim Mustapha and will explore the concept of “Cognitive Justice and the Crisis of Epistemology” in collaboration with The Brooklyn Rail online and Residency Unlimited on-site in Brooklyn, New York.
Faculty include Antonia Alampi with Suumil Móokt’aan, Armen Avanessian, Clémentine Deliss, Jeremy Dennis, Sanford Kwinter, Erin Manning, Abdul-Karim Mustapha, Warren Neidich (founder/director), Reza Negarestani, Barry Schwabsky (co-director), Javier Tellez, and Anuradha Vikram.
As a result of the acceleration of information technologies occurring at a blinding pace under cognitive capitalism, a conflict has erupted between scientific and non-scientific epistemologies and forms of truth. The term epistemology comes from the Greek words ‘episteme’ and ‘logos’ as they relate to theories of knowing and understanding. Cognitive Justice concerns the right of different traditions of knowledge to co-exist without duress. Especially relevant for us here are those forms of knowledge which have evolved in the so-called enlightened global North and those in the subaltern global South. We are suggesting that the struggle for global social justice, as it relates to the fair and equitable treatment of all groups populating a given state or society, is connected to the struggle for global cognitive justice and the two forms of justice are intimately related; without one there cannot be the other.
The struggle for cognitive justice is not simply based on the equal distribution and access of knowledge but must also encompass two deeper conditions that reflect its actual formation. Beyond the present impossibility of the equitable distribution of scientific knowledge under the persistent regimes of colonialism, capitalism, and computationalism, scientific knowledge is limited by its own assumptions which usually have precluded other forms of knowledge: for instance, traditional Chinese medicines. Cognitive justice does not mean dispensing with those knowledges gathered through the scientific method in favor of those that engage subaltern practices based on practical forms of knowledge. But it does imply the counter-hegemonic value of the latter; first to question Enlightenment orthodoxy and then to expand the general intellect of a global multitude. This calls for several different strategies including engaging with rational science’s internal pluralities and inconsistencies that, for instance, Indigenous, feminist, queer, and postcolonial voices have made visible. Most important for this program, however, are the ways that Indigenous peoples use their knowledge to preserve biodiversity in the ecological communities they inhabit as opposed to Eurocentric modes of technology which have decreased biodiversity. Through this program we also ask: How does biodiversity relate to the brain’s neural diversity? How might this relate to the constitution of hidden layers of deep learning artificial neural networks such as ChatGPT and DALL•E2? And, most importantly, how might this inform the struggle for Cognitive Justice?
Please see our website or contact info@sfsia.art for more information.
Call for Artists: “Perspectives 2024” the International Exhibition
CICA Museum invites artists worldwide to participate in the International Exhibition, “Perspectives 2024.” We are open to photography, 2D digital art, video art, interactive art, painting, sculpture and installation art dealing with new/various/different views and perspectives on subject matters.
*Category
-Photographs & 2D Digital Art
-Video & Interactive Art
-Painting, Sculpture & Installation Art
*Installation
-Photographs & 2D Digital Art
Selected works will be printed in 10×15 or 10×10 inches, framed, and installed by our curators & assistants. If requested by the artist, works can be printed and framed in larger sizes. Additional fees may apply.
-Video & Interactive Art
We will provide projectors and DVD/DIVX players for the show. Multiple single-channel works will be screen through a projector. If the work is required to be screened through a projector exclusively, or more than two projectors/monitors are needed, please indicate the special requirements in the submission email. Additional fees may apply.
-Painting, Sculpture & Installation Art
The artist is responsible for the shipment and delivery of his/her physical work to and from CICA Museum, as well as all related expenses. The two-dimensional work should be no larger than 39 inch (1 m) on the longest side, and the installation piece should be no larger than 39x39x79 inches (1 x 1 x 2 m, w x l x h). The work that needs to be mounted on the wall should not exceed 10 kg. Please indicate in the submission email if you are interested in exhibiting works exceeding the size/weight limit.
*Deadline: June 30, 2023
*Exhibition Dates: January 31 – February 18, 2024
***The dates are subject to change.
If the work is selected, the artist will be required to pay the show processing & maintenance fee: $70 (USD) per work.
*How to submit your work: Please visit our website for more information – https://cicamuseum.com/call-for-artists-perspectives-the-international-exhibition/
Call for Artists: Participatory Art for “Let’s Make Art” Project of CICA Kids Lab
CICA Museum invites artists to participate in the project “Let’s Make Art,” organized by CICA Kids Lab. CICA Kids Lab is CICA Museum’s program for children and their parents. Through CICA Kids Lab, we aim to introduce Contemporary Art to the community. In “Let’s Make Art” project, we plan to feature Participatory Art that children and parents can experience.
*Category
-Participatory Art that children can touch and participate in.
-Installation Art
-Painting and Sculpture
-Performance Art
*** Artists should allow children to touch, modify, and/or damage the featured works. The museum will not be responsible for damages that occur during the exhibition.
*Installation
The artist is responsible for the shipment and delivery of his/her physical work to and from CICA Museum and installation, as well as all related expenses.
***400,000 won (KRW) of the preparation expense will be provided by the museum.
*Deadline: June 19, 2023
*Exhibition dates: three months between July and December, 2023. Detailed schedules will be announced for selected artists.
***The dates are subject to change.
*How to submit your work: Please visit our website for more information – https://cicamuseum.com/cica-kids-lab-call-for-artists/
Cycladic Arts Program / Sponsored Artist-in-Residency Program in Greece
Contemporary artists of any discipline are invited to apply:
The Cycladic Arts Program is partnership between Torrance Art Museum and Cycladic Arts in Alyki, Paros, Greece, awarding a Southern California based artist this cross-cultural Artist Residency opportunity.
• The program will host one artist per year for a twenty-five day residency at Cycladic Arts in Alyki, Paros, Greece
• directly followed by the body of work being displayed on the programs webpage for an online exhibit
• There will be an in person exhibit every three years at Torrance Art Museum, that will act as a curated retrospective of the three artists that were selected during that period and the work they produced during their residencies.
The Residency will be twenty five days long during September, 2023.
To apply to the program please submit a brief proposal, bio, statement, and up to five images through this form: https://forms.gle/qnMxbZo6qa7qVtd39
Deadline to apply is June 30th.
Artist will be chosen from applicants by TAM staff.
For more information on the Cycladic Arts Program please visit https://www.torranceartmuseum.com/cycladic-artist-residency
The chosen artist will have their flight and cost of residency sponsored. (each artist would be responsible for cost of materials, meals, and personal expenses)