The City of South San Francisco Cultural Arts Commission invites muralists and urban surface artists to submit their qualifications for the Mural and Urban Surface Public Art Projects. The City intends to create a list of pre-Qualified Artists through this RFQ. Entries are accepted exclusively through CaFÉ (Call for Entry.org). Artists chosen for the pre-Qualified list will be eligible to be considered for the upcoming public mural and urban surface art projects in South San Francisco. Inclusion in the pre-Qualified Artists list will be for a period of three years. Inclusion in the pre-Qualified Artists list does not guarantee a commission. Interested artists should apply online at CaFÉ: https://bit.ly/RFQ_ArtSSF. More information can be found at www.ssf.net/culturalarts.
SF Bay Area
Communications Associate (part-time)
Title: Communications Associate (part-time)
Reports to: Deputy Director (Institutional Advancement)
Salary: $30,000
20 hours a week (pro-rated PTO, no medical/dental benefits)
POSITION OVERVIEW
Destiny Arts Center is seeking a part-time Communications Associate to join a community of talented professionals dedicated to the power of the arts to transform the lives of young people, families, and communities.
Destiny Arts Center’s mission is to inspire and ignite social change through the arts. For over 35 years, Destiny has been committed to supporting young people as they develop their skills as artists, global citizens, and advocates for peace in their communities and beyond. Through dance and martial arts, young people learn to perform and express themselves, overcome challenges, and connect with others. Destiny partners with over 40 schools and organizations each year to bring programs to young people. At our North Oakland arts center, we offer pay-what-you-can afterschool, weekend, and summer programs. Our work is focused on creating safe and inclusive spaces for creative expression: welcoming and caring for every young person who joins us, providing opportunities to learn, grow, and heal, and using movement arts to forge meaningful transformation in our young people and collectively in our communities.
The primary responsibilities of Destiny Arts Center’s Communications Associate is to support the growth and awareness of the public’s knowledge and understanding of Destiny’s programs and mission, expand the organization’s visibility locally and nationally, and develop and realize methods to communicate with our current audience and build new ones. Supported by a marketing strategy consultant, Executive Director, program staff, Marketing and Development Committee of the board and others as identified.
DUTIES AND RESPONSIBILITIES
● Execute cross-channel marketing and communications strategy for institutional and programmatic marketing to ensure audience development, increased enrollment, fundraising initiatives, and promotion of artistic programming.
● Create visuals (photos, graphics and/or video) and post content on all social channels, email communications, website and print collateral according to a marketing plan in collaboration with Destiny colleagues.
● Create and/or collect stories from program participants, families, and partners in all programs
● Create awareness and demand, documentation, and livestreaming for Destiny events
● Oversee branding and messaging consistency across all platforms, channels and departments using style guide.
● Work to develop and amplify youth voice in Destiny marketing materials and communications.
● Lead the content management of the website, ensuring content is inline with current organization priorities, events and programs
● Work with marketing committee to align on site functionality updates and to flag website bugs/issues
● Maintain all social media and marketing accounts
● Manage email software and ensure quality of lists in collaboration with Development and Finance Associate
● Archive and maintain Destiny Media, collateral, and press files
● Provide digital assets based on outside requests
This position description does not promise or imply that the functions listed are the only duties to be performed or that the position may not change, or be eliminated.
SKILLS AND EXPERIENCE
● Superb written and verbal communication skills, excellent organizational skills, attention to detail, and ability to work both independently and with others.
● Familiarity with digital content management including knowledge of file formats for diverse publication platforms. Adobe software or other tools for image and video editing is preferred.
● A compelling and persuasive writer, an effective copywriter with a strong understanding of organizational voice.
● A commitment to the power of art as a vehicle for social change and youth empowerment.
● Excellent project management skills and comfortability managing multiple projects with different timelines
● Strong initiative and enthusiasm, and willingness to pitch in whenever needed.
● At least 2 years of experience in marketing or communications work in a professional environment with a preference for candidates with experience in social service, youth-focused, community health, and/or arts organizations.
APPLICATION PROCESS
Interested applicants should submit a resume and cover letter by email to careers@destinyarts.org (include “Communications Associate” in the subject line). Please note we will review applications on a rolling basis. The position will remain open until filled.
EOE STATEMENT
Destiny Arts Center does not discriminate on the basis of race, color, religious creed, sex, gender, gender expression, gender identity, age, national origin, ancestry, disability, marital status, sexual orientation, military status, prior contact with the criminal legal system, or any other basis prohibited by law.
Program Manager
The Alliance for California Traditional Arts (ACTA), one of the nation’s leading traditional arts nonprofit organizations, seeks to hire a full-time, exempt Program Manager based out of its San Francisco office at the famed Presidio. Program Managers work in teams to implement ACTA’s range of programs throughout the state. The Bay Area-based Program Manager will be the lead manager of ACTA’s statewide Apprenticeship Program, working with a program team on the Living Cultures Program and the Traditional Arts Roundtable Series, among other duties.
This Program Manager works in close collaboration with the program team working throughout the state. The position will combine remote work with onsite and in person presence connecting and building relationships with artists, cultural organizations and funders in the Bay Area and statewide.
ACTA’s salaries are benchmarked to Fair Pay California Nonprofits and provide excellent benefits. The salary range for this position is $65,580-$87,500.
THE PROGRAMS
For more than 20 years, ACTA’s Apprenticeship Program has supported California’s cultural traditions with mentor/apprentice contracts made to outstanding traditional artists and practitioners. The program encourages the continuity of the state’s thriving traditional arts and cultures by contracting mentor artists to offer intensive, one-on-one training to eligible apprentices. Each contract supports a period of concentrated learning for apprentices who demonstrate a committed engagement with, and a talent for, a specific traditional art form or cultural practice.
The Living Cultures Grant Program seeks to sustain and strengthen traditional arts in the state of California with grants to California-based nonprofits and tribal entities, as well as other organizations who work with fiscal sponsors and individuals. Projects may involve any genre of traditional art, including but not limited to dance, music, foodways, material arts, and oral traditions.
Since 2008, our Traditional Arts Roundtable Series has been designed to strengthen intercultural traditional arts networks and to offer opportunities for traditional and tradition-based artists and arts advocates to learn from one another through dialogue, technical assistance, networking, and sharing of community-based arts and culture.
TO APPLY
For more information, see the job description, which includes job duties, qualifications, wages and benefits information, and instructions on how to apply. The position is currently available and will remain open until filled.
CALL FOR FELLOWS: EXHIBITIONS FELLOWSHIP
EXHIBITION FELLOWSHIP
Priority Deadline: Monday, July 31, 2023, 11:59 pm
Root Division seeks an emerging arts professional who is passionate about exhibitions programming, curatorial practice, and gallery management to fill its Exhibitions Fellowship position from September 2023 through April 2024. This fellowship will include both virtual and in-person responsibilities, in accordance with local and CDC guidance regarding COVID-19. This position will overlap with Root Division’s 2023 fellow whose fellowship period is April – October 2023.
THE EXHIBITIONS FELLOW WILL RECEIVE:
- Project stipend of $3,200 (disbursed in monthly payments with project deliverables)
- Access to participate on the Curatorial Committee for 8 months
- Access to free classes and professional development workshops
- Invaluable training and hands on experience in a dynamic visual arts non profit
ROLES & RESPONSIBILITIES:
Coordinate exhibitions for the Frank-Ratchye Studio Artist Project Space (FRPS) from September 2023 through April 2024: The Frank-Ratchye Studio Artist Project Space provides a space for Root Division Studio Artists to exhibit their art to the public. The FRPS is free and open to the public during gallery hours in conjunction with the current exhibition. The fellow will primarily conduct studio visits, select artworks, and schedule monthly exhibits in the FRPS, as well as serve a support role with related tasks such as installation, image management, and copy editing.
Participate on the Curatorial Committee: Comprised of twelve prominent Bay Area curators, artists and arts professionals, Root Division’s Curatorial Committee reviews and selects the guest-curated exhibitions for the 2nd Saturday Exhibition Series. The fellow will join the Curatorial Committee for the length of the fellowship, gaining valuable experience by attending two proposal review meetings and participating in strategic planning sessions with leadership.
OTHER OPPORTUNITIES:
Contribute writing for Root Division’s blog: In addition to coordinating artist exhibitions in the Frank-Ratchye Studio Artist Project Space, the fellow will have the opportunity to publish some art writing in the form of artist interviews, articles, or another form of their choice, to accompany the exhibitions for Root Division’s blog.
Additional Support of Main Gallery Programs: The Exhibitions Fellow will also have the opportunity to work in support of the Art Programs Manager, guest curators, installation team, and exhibiting artists to produce and market Root Division’s monthly exhibitions and public programs in the main gallery and/or online. Part of this includes the opportunity to support the quarterly jury review process, aid in exhibition design, catalog production, and technical support in the creation of 2nd Saturday exhibitions.
QUALIFICATIONS & REQUIREMENTS
- Bachelor’s degree in fine arts, curatorial studies, art history or a related field, or equivalent experience in exhibition coordination (Current students are eligible to apply).
- Strong administrative and organizational skills, writing ability and computer skills (Mac, G Suite, Dropbox)
Ability to work with various constituencies from a wide variety of backgrounds, including Studio Artists, exhibiting artists, curators, jurors, staff, and supporters of the organization. - Enthusiasm for working independently and as a team to serve the community in an inclusive, creative, and fast-paced environment
- To be available a minimum of 5 hours per week for a minimum total commitment of 20 hours per month from September 2023 through April 2024. The specific schedule will be worked out with the Art Programs Manager and will include weekly hours onsite at Root Division, 2nd Saturday receptions, 1-2 weeknights per quarter for additional program activities or meetings, and additional hours if desired.
BENEFICIAL
- Basic photo, video, graphic design, and/or web based skills (or a willingness to learn)
- Marketing / public relations experience
- Art handling or installation experience
HOW TO APPLY
Application process includes submitting completed Digital Application Form and uploading required documents as PDFs and images as JPGs. If you have trouble uploading documents to the form you can email them to: submissions@rootdivision.org cc’ing frances@rootdivision.org.
Please submit the following materials for review:
Completed Digital Application Form including the following:
- Cover letter: Please introduce yourself and tell us: why you are interested in the Root Division community; how this fellowship would impact you as an arts professional; how your practice supporting exhibitions is related to the submitted images. Please add three references (contact name, email, phone) at the bottom of the letter.
- Current resume/ CV (including name and contact info.)
- Examples of past exhibition coordination, curatorial projects, or gallery work (5 images and/or video documentation) with a corresponding image list.
- Optional: Writing sample (2 page maximum). This could be academic or professional arts writing.
Application process includes submitting completed Digital Application Form and required materials. Finalists should be available between August 10 – 16 for interviewing with Root Division’s Staff.
For any additional questions, please email Frances Fleetwood, Art Programs Manager at frances@rootdivision.org with any questions.
Teaching Artist
TEACHING ARTIST for Southern Exposure’s Partnership Program with Mission Girls
Status: Part-Time, Temporary, Hourly, Non-Exempt Employee
Reporting Structure: Reports to Artists in Education Manager
Compensation: $31.00/hour
About the Community Arts Internship Program:
The Community Arts Internship Program (CAIP) at Southern Exposure provides young people with the opportunity to exercise leadership skills and explore relevant social and personal issues through visual arts. This year CAIP continues a collaboration with the Young Queens on the Rise of Mission Girls, a gender-specific support group for girls.
About the Teaching Artist Opportunity:
The CAIP Teaching Artist is responsible for leading a series of in-person workshops for young artists based on a socially relevant theme from September through December 2023. In collaboration with SoEx and Mission Girls’ Staff, the Teaching Artist will develop a curriculum that explores topics and concerns central to the youths’ daily lives and the individuals in their community. The Teaching Artist will assist the students with installing their work as part of a Día de los Muertos installation in late October as well as in a culminating exhibition in December.
Qualifications:
Teaching experience with young artists aged 14-21 and a working knowledge of the needs of youth, especially using a trauma-informed framework
Experience managing a classroom
Familiarity with one or more of the following art practices: community-based art projects, installation, performance, painting, printmaking, social practices, photography, video, painting, sculpture, or other forms of art making
Experience developing visual arts curriculum
Good communication skills and experience working collaboratively
Spanish speaking proficiency preferred
Job Duties and Responsibilities:
Collaborate with SoEx and Mission Girls Staff to design and implement workshops and curriculum for youth participants
Lead weekly workshops for 10 – 20 students
Collaborate with youth participants to integrate their ideas into the final project
Gather materials and resources for projects
Maintain a positive, productive and engaged classroom environment
Attend weekly planning sessions and post-project evaluation meetings
Physical Requirements:
Performing this job requires use of hands to finger, handle, or feel objects, tools or controls, sit, talk, hear, stand, climb, balance, stoop or kneel. While performing the duties of this job, the employee regularly works on-site at the organization where the employee may be exposed to fumes or airborne particles from art supplies.
Time Commitment:
Workshops are held weekly (2 hours/class) and run for ten weeks (October 4 – December 15, 2022). Additional pre- and post-program meetings will be required.
Projected Start Date: Week of August 28, 2023
Projected End Date: Week of December 11, 2023
Projected Class Prep Work Dates: Approximately 4-6 hours/week, August 28 – September 15, 2023
Class Dates: September 19 – December 7, 2023
Compensation: The Teaching Artist will receive $31/hour, payable twice monthly, for approximately 20 hours of teaching plus additional time for meetings, planning, preparation, and evaluation as contracted (for a total of approximately six hours per week of total work). All employees earn 1 hour of paid sick leave for every 30 hours worked, with a cap of 72 hrs/year. This is a temporary position, and is not eligible for benefits, except those mandated by city, state, or federal law.
How to apply to be a Teaching Artist: Interested candidates send an email to job@soex.org with the subject line: Teaching Artist: your name. Please attach a single PDF document that includes a cover letter and resume, including the following:
A Cover Letter: no more than one page clearly stating why you want to be a Southern Exposure Teaching Artist and anything you would like to share about your teaching philosophy, your relevant teaching experience, and your artistic skills, if applicable. Please include a paragraph describing a possible curriculum focus for the program with a description of the activities and what you hope students will learn and accomplish through participating and completing your project.
Your Resume: clearly outlining your teaching experience
Southern Exposure is AN EQUAL OPPORTUNITY EMPLOYER. All qualified applicants will receive consideration for employment without regard to race, color, religion, sex, sexual orientation, gender identity, national origin, disability, or status as a protected veteran.
Southern Exposure (SoEx) is an artist-centered nonprofit organization that is committed to supporting visual artists. Through our extensive and innovative programming, SoEx strives to experiment, collaborate and further educate while providing an extraordinary resource center and forum for Bay Area and national artists and youth in our Mission District space and off-site, in the public realm.
About The Artists in Education Program:
Southern Exposure’s nationally recognized Artists in Education (AIE) program brings together diverse youth, artists, schools and community-based organizations in a dynamic series of innovative programs. AIE offers youth opportunities to learn critical, artistic, vocational, and cultural skills and experiences beyond the traditional school environment. It also offers professional teaching opportunities for local emerging artists to become arts educators, extending their practice into the community. Sparking a dialogue on contemporary artistic practice and sociopolitical issues, AIE demonstrates the role of artists in society and reflects the conceptual thinking from our exhibition programs to provide new means of expression for youth. AIE fills a crucial need in the community by providing positive and creative outlets for local youth.
Production Director
Classification: Part-time non-exempt employee (W2) or independent contractor (1099)
Compensation: $48–$58 per hour, 40–70 hours per month depending on production cycle, up to maximum annual base compensation of $35,000–$45,000. NOTE: On-site work with other companies that rent or co-produce OP productions may provide opportunities for additional compensation beyond listed salary.
Location: Hybrid remote/in-person (see below for information about physical requirements)
Expected Start Date/Term: July 31, 2023; one-year contract with annual option to renew
Reports to: Creative Director and General & Artistic Director
Position Summary
Opera Parallèle (OP) is seeking a proactive, collaborative professional to oversee all production planning, implementation, and management as a member of our leadership team. The Production Director will work closely with the Creative Director (CD), General & Artistic Director (G&AD), Managing Director (MD), Development Director, and the entire OP Artistic Team (Artistic Producer and Artistic Administrator). Under the direction of the CD and G&AD, the Production Director will be responsible for overseeing the production needs and resources for all of OP’s programs, including two mainstage operas a season, one Hands-On-Opera youth production, the Annual Benefit, as well as all other OP events that require production support. You will play an important role in ensuring that all programs are implemented within budgeted resources and realize the artistic goals and standards of the organization.
Who We Are
Based in San Francisco, Opera Parallèle (OP) is an award-winning, female- and artist-led contemporary opera company. Collaboration is in our DNA, as well as a drive to create and keep opera relevant and accessible for our diverse modern world.
Since 2010, Opera Parallèle has become one of the foremost presenters of new opera in the country. A dedication to current issues, 20th- and 21st-century composers, immersive opera experiences, and hands-on, intergenerational community engagement puts OP at the vanguard of making opera meaningful for today’s audiences. OP is on a growth trajectory, with increasing national visibility and a current organizational budget of about $1 million. OP is governed by a 17-member Board of Directors passionate about innovation in the arts.
OP’s core expertise is in staging new opera and creating chamber (slimmed-down) orchestrations of larger operas adaptable to many venues, giving many works an afterlife and accessibility beyond their initial run. OP enjoys close relationships with creators and producing partners working in opera, the performing arts, and visual art, and is often sought by today’s top composers to develop the chamber premiere of operas they debuted at top international houses.
OP is committed to creating an inclusive work environment through diversity of people, ideas, talents, and experiences. We are committed to providing a culturally safe workplace, and we recognize that this looks different for everyone. We will work with existing staff and new hires to identify and ensure respect for cultural safety needs and develop opportunities for all staff to connect, engage, and thrive. OP is actively working on increasing fluency in equity issues and is participating in ongoing organization-wide assessment and training in equity, diversity, and inclusion. We welcome open dialogue about how we can continually improve our support for our community in all aspects of our work.
If you haven’t already, please visit our about us page to learn more about who we are, what we do, and the values we embrace.
Who We’re Looking For
This role would be best served by an arts professional who has:
- At least five (5) years of progressive professional experience managing the production function of a producing opera or theater company
- A thorough understanding of theater and opera production techniques and processes, including industry safety standards
- Knowledge of stagecraft, opera repertoire, and scenic construction
- Knowledge of principles of management and financial accounting, with experience preparing and monitoring budgets
- Success with selecting, supervising, evaluating, and developing staff
- Demonstrated ability to motivate and manage a work group responsibly and with integrity
- Proficiency in Microsoft Office applications; database skills desirable
- Ability to work independently, prioritize tasks, and exercise good judgment and initiative
- Strong attention to detail and ability to deliver high-quality work
- Ability to manage multiple, competing priorities successfully
- Outstanding interpersonal skills, including the ability to interact with artists, staff, and the public in a professional, confidential, and tactful manner
- An innovative and collaborative spirit, with the ability to work as a team player and to build and manage strong relationships with co-workers and external producing and community partners; a good listener
- Ability to communicate clearly and effectively, both verbally and in writing
- Respect for diverse backgrounds and voices and a commitment to inclusion, accessibility, and equity
- Experience working and communicating with intergenerational and diverse racial, ethnic, and socioeconomic backgrounds
- Ability to work evenings and weekends
- Knowledge of the Bay Area cultural community, rental shops, and vendors
- A commitment to performing the functions of the position in a safe manner
- Sense of humor a plus!
Key Responsibilities
Current-Season Production Management
- Create, maintain, and distribute production calendars and schedules for all three productions in the OP season, as well as all OP events, including the Annual Benefit and additional community programs where needed.
- Maintain and manage production budgets and (re)forecasts, tracking actual expenses for all production departments along with the CD and MD.
- Ensure all production staff, including designers, artisans, stage managers, and assistant stage managers, are hired, contracted, and onboarded over the course of an entire season.
- Manage the work and schedules of all designers, artisans, stage managers, assistant stage managers, and additional technicians for all productions.
- Confirm and liaise with venues for staging rehearsals.
- Ensure that the material elements (scenic, costume, lighting, properties, etc.) of all productions are completed and delivered on time and are taken away at the end of the last performance of each production, under the auspices of the host venue, and that all material expenses remain within the agreed-upon budget.
- Support the Development Director and Artistic Team on production elements of OP’s Annual Benefit event, as well as all other fundraising events that include performance elements.
- Support the Community Manager/Coordinator on production elements of all community programming with performance elements, including Hands-On-Opera and the annual “Expansive” showcase.
- Coordinate transportation of all production elements needed for rehearsals and performances.
- Act as liaison between OP and performance venue production staff, including determining and implementing health and safety protocols.
- Provide all technical information to performance venues.
- Supervise all performance venue technicians.
- Attend all technical rehearsals, dress rehearsals, and performances.
- Review final estimate and final settlement from performance venues with the MD.
- Under the direction of the G&AD and Artistic Administrator, coordinate and facilitate orchestra physical needs.
- Schedule and lead all production meetings.
- Attend agreed-upon staff meetings as necessary.
- Secure, coordinate, and manage storage of sets and other physical production elements in OP’s storage facility.
- Uphold the artistic integrity and standards of OP.
Future-Season Planning
- Work with OP’s Artistic Team to plan future seasons, including evaluating and advising on performance venues, production elements of new repertoire, design collaborators, etc.
- Create production budgets along with CD, G&AD, and MD.
- Assist MD in finalizing performance venue agreements and production estimates.
- Under direction of CD, negotiate, hire, contract, and onboard (with MD) all production staff, including designers, artisans, stage managers, and assistant stage managers.
- Secure and/or confirm spaces for staging rehearsals within approved budget limits..
Production Rentals & Co-Productions
- Create and maintain comprehensive technical riders and “Production Book” for all productions, coordinating with department heads to collate a complete picture of the production to be shared with future renting companies and co-producers.
- Support Artistic Producer in providing technical information for OP productions to prospective renters and co-producers.
- Attend meetings with prospective renters and co-producers to provide technical information and insights.
- Coordinate with any renting company or co-producer to assist in their planned presentations of OP productions.
- Liaise with renting companies and co-producers to arrange transport of OP productions.
- Support Artistic Producer and MD with production-related elements of co-production and rental agreements.
- NOTE: On-site work with renting companies or co-producers may provide opportunities for additional compensation (as outlined in rental and co-production agreements), beyond listed salary.
These tasks represent baseline responsibilities for this position. As OP grows, there may be opportunities to add new responsibilities and areas of work. We are a small (but growing!) staff, so an openness to supporting other areas of work is essential for every member of our team.
Location, Schedule, and Physical Requirements
- We’re happy to accommodate a remote work schedule but require on-site work during the entirety of our production periods.
- Rehearsals and performances of OP productions and OP events take place in varying local sites around San Francisco (and possibly throughout the Bay Area). Opportunities may arise to travel outside the Bay Area/nationally in support of OP productions that are rented or co-produced by outside companies.
- The workflow varies greatly throughout the year, with work time demands beyond the standard workweek determined by production planning and execution. The Production Director is required to be available year-round to a schedule agreed with the CD and G&AD. The role requires irregular and extended working hours.
- This position requires the ability to sit at a computer, speak, and type for extended periods of time.
- Duties of this role may also include lifting, bending, and pulling sets, properties, and lighting to set up, configure, and break down rehearsal, performance, and event spaces.
Equal Opportunity Employer
Opera Parallèle is committed to providing equal employment opportunities to all qualified applicants and maintains a policy of non-discrimination with respect to employees and applicants for employment. No aspect of employment will be influenced in any matter by race, color, ethnicity, national origin, religion, gender identity and/or expression, sexual orientation, age, marital or parental status, pregnancy, disability, medical condition (including HIV or AIDS status), genetic information or characteristics (or those of a family member), veteran status, or any other basis prohibited by applicable law.
We value a strong, diverse team, and women, trans- and gender-nonconforming folks, queer people, BIPOC (Black, Indigenous, People of Color), and individuals with disabilities are strongly encouraged to apply. We acknowledge this list is incomplete and encourage you to apply if your lived experience informs your desire to support OP’s commitment to telling diverse, relevant stories through contemporary opera.
Compensation and Benefits
This position can be structured either for an employee or for an independent contractor, if the candidate has their own LLC. For an employee, this is a year-round, part-time, non-exempt position. In either case, the contract is for one year, with an annually recurring option to renew. The expected time commitment is 40–70 hours per month, depending on the production cycle. Base compensation is $48–$58 per hour, up to an annual maximum of $35,000–$45,000 per year (not including opportunities that may arise to earn additional compensation for supporting rentals and/or co-productions of OP productions by outside companies).
For an employee, this position also includes the following benefits:
- All employer taxes, including worker’s compensation, unemployment, and social security, are paid by OP.
- After three (3) months of employment, you are eligible to contribute to a retirement plan through our payroll provider, Paychex.
- Flexible work schedule, except for production periods.
- Paid sick leave is accrued at the rate of 1 hour earned per 30 hours worked (up to a maximum total of 72 hours), in accordance with the San Francisco Paid Sick Leave Ordinance.
To Apply: Send your resume and a one-page cover letter explaining your interest and why you are a great fit for this position to employment@operaparallele.org, with “Production Director” in the subject header. Due to the volume of applicants, only candidates who will be invited to interview will be contacted.
Application Deadline: July 15, 2023
