With support from the California Arts Council, Walking Water (WW) and artists Henry Lipkis and Kate Morales will co-create “Waters Becoming Puppet Parades: Reimagining Payahuunadü” -a participatory public art project, in partnership with the Owens Valley Indian Water Commission, Accelerate Resilience LA, Weaving Earth, and Friends of the Inyo. Grounded in Waters Becoming, a WW publication developed through Morales’s visual scribing of community voices, this public reimagination project transforms these water stories into embodied, collective forms. Through story circles, walking-based gatherings, and hands-on workshops, participants will co-create large-scale puppets of “water beings and protectors” (salmon, otter, blue heron). Led by Lipkis’s mastery in puppetry and public spectacle, these culminate in immersive parades and “Portals” in Bishop and Lone Pine, transforming public space while amplifying Indigenous leadership, community voice, and a shared vision for water justice.
Walking Water (WW) offers participatory, arts-based programming that integrates storytelling, walking, and collaborative creation to explore the cultural, social, and ecological dimensions of water. Since 2012, WW has developed a distinct methodology that centers community voice as both source material and creative driver, using artistic practice to translate lived experience into collective, public expression. Core programming includes story circles, walking-based gatherings, workshops in visual and performative arts, and large-scale public events. Walking is a foundational practice—an accessible, low-impact method that invites participants to engage directly with land, water, and one another while grounding the work in shared experience and place-based awareness. Artistic processes such as puppet-making, printmaking, and visual storytelling are used to create multi-sensory entry points for participation, allowing individuals of different ages, abilities, and backgrounds to contribute meaningfully. WW places a strong emphasis on collaboration with artists, culture bearers, and community members, often engaging participants as co-creators in the development of artistic work. This approach culminates in immersive public experiences, such as processions, performances, and installations, that transform shared spaces into sites of dialogue, reflection, and collective imagination. Projects are frequently informed by prior community engagement and artistic research, including publications like Waters Becoming, which document and translate community narratives into visual and conceptual frameworks. Across all programming, WW prioritizes accessibility through free, public offerings, flexible participation formats, and multi-modal artistic practices. By combining relational facilitation with creative production, Walking Water creates inclusive platforms for cultural expression, intergenerational learning, and community-led exploration of environmental justice and collective futures.
Virtual Story Shares