“VICES” National Juried Exhibition at Arc Gallery
DEADLINE: September 13th, 2021
https://www.arc-sf.com/vices.html
DESCRIPTION
“Vices are simply the errors which a man makes in his search after his own happiness.” – Lysander Spooner
We are all just bundles of vices, collections of actions that aren’t necessarily good for us, that have the potential to hurt our bodies or minds, our relationships, our financial or work prospects; things that feel good in the moment, but are maybe not so good for our futures. We are seeking works that depict vices in all their wicked glory. It can be your own secret vice or something you’ve observed. Examples include drinking alcohol, smoking, gambling, prostitution, promiscuity, shoplifting, taking drugs for pleasure, over-indulgence in rich foods, driving over the speed limit, receiving kickbacks or bribes, failing to recycle, blackmailing, or cheating. We await your interpretations from humorous to moralistic to sleazy.
CATEGORIES ACCEPTED: Sculpture, painting, drawing, photo, printmaking, ceramics, assemblage, collage, mixed media, fiber art, glass art, artist book
VENUE: Arc Gallery, 1246 Folsom St, San Francisco 94103
JUROR: Philip Bewley, DZINE Gallery, San Francisco, CA
JUROR’S AWARD: A Juror’s Award ribbon, certificate, catalog and $250 will be presented to each of the three works that express the most imaginative interpretation of the theme.
EXHIBITION DATES: November 20, 2021 – December 18, 2021
GALLERY & ON-LINE GALLERY: There are two opportunities to get into this show. The juror will select works that will be exhibited in the Arc Gallery at 1246 Folsom Street and works that will be included only on the Arc On-line Gallery.
CATALOG: All artwork selected will be included in the exhibition catalog. Catalogs will be available for order at the time of notification.
ELIGIBILITY : Artists residing in the United States.
NON-REFUNDABLE ENTRY FEE: Payment of $35 per entry.
Visual Arts
Technical Director
A Noise Within seeks a Technical Director to oversee the production operations for all ANW productions.
The Technical Director is responsible for supervising all aspects of production construction, supervising all
construction and running crews, working with the Production Manager and Costume Shop Manager to
realize ANW’s productions, coordinating basic facilities maintenance, and contributing to a safe and
equitable production environment.
A successful candidate will have:
• Minimum of 3 years’ experience as a technical director, stage carpenter, or member of a production
department
• Broad understanding of all aspects of technical theatre
• Experience overseeing production crews and either building scenery or working with external scene
shops
• Proficiency with industry software such as CAD programs
• Proficiency with QLab
• A theatrical rigging certification or equivalent
• Experience reading ground plans, light plots, and other theatrical specifications and turning those plans
into realized production elements on schedule and on budget
• Excellent communication skills including navigating technical and non-technical artistic conversations
• The ability to prioritize multiple simultaneous projects successfully and work effectively with artists,
production teams, volunteers, and staff
Working conditions and physical demands:
• Ability to lift 35 lbs
• Ability to climb ladders and work off the ground in a Genie lift or in catwalks
• Ability to see in low-light conditions (such as a dark theater)
• Availability for night and weekend hours
• Ability to drive and a valid driver’s license
RESPONSIBILITES
• Attend and advise on elements of production meetings
• Lead and supervise build and load-in
• Coordinate notes that arise during production rehearsal/tech
• Support Production Manager in staying on schedule and on budget for production projects
• Work with directors and design teams to ensure timely completion of all designs
• Supervise production personnel including electricians, carpenters, running crews, etc.
• Oversee (with Production Manager) inventory and maintenance of all lighting, shop, costume, and
sound equipment
• Support productions with research on needs including video and projections, special effects, sourcing
and researching materials and techniques, etc.
• Establish and maintain a safe work environment at all times
The position is full time, non-exempt, salary range $58,240-62,000 annually DOE, plus a competitive
benefits package including paid health insurance, company-matched benefit savings plan, and paid
vacation. Start date: flexible
To apply, please send a cover letter, resume, and list of references (3-4) to: mbateman@anoisewithin.org.
Please put “Technical Director – Candidate Last Name” in the subject line. Incomplete applications will not be
considered. Please, no follow up calls. ANW believes in working hard on our anti-racist practice across the
whole organization and we invite candidates to review more information here. Candidates of color and diverse
backgrounds strongly encouraged to apply.
Gallery Preparator
Angels Gate Cultural Center (AGCC) provides space for artists to work and engages community through arts education, exhibitions of contemporary art, and cultural events. AGCC’s Exhibitions Program focuses on investigating contemporary art through a diverse array of artistic practices, cultures, media, and innovation in our galleries. AGCC provides opportunities for emerging and established curators to examine new ideas surrounding notions of community and the marginalized in addition to conceptual explorations of art. AGCC exhibits a diverse range of emerging, midcareer, and established artists who create locally and nationally. The AGCC Exhibitions Program contributes to the vibrancy of our shared creative culture.
The Preparator will, under the supervision/collaboration of the Dir. of Exhibitions and Public Programming, install and deinstall fine art at AGCC’s onsite galleries and pop-up galleries in San Pedro and Long Beach, work with artists and curators in executing exhibition layout and design, determine technical and hardware needs to install art, problem solve complex installation processes as needed, inspect and take detailed condition reports of incoming and outgoing art loaned to AGCC, maintain gallery supplies and storage, implement and enforce safe handling and installation techniques of fine art, and coordinate with artists in the installation of their work.
Qualifications
- Passion for supporting artists and curators, and an interest in contemporary art
- Knowledge of techniques and materials related to art gallery displays and exhibitions; including storage, packaging, shipping, and display techniques for various art works such as paintings, photography, film/video, and sculpture
- Experience processing, documenting, cataloging, and condition reporting of art work
- Ability to navigate stairways multiple times per shift and lift loads up to 50lbs unsupported
- Availability to work flexible hours during 2–3-week gallery installation periods which may include nights and weekends
- Understanding of basic concepts of drawing, painting, commercial art, and design
- Knowledge and experience in art gallery lighting principles and techniques
- Knowledge of computer systems, software, and hardware related to the operation of an art gallery
- Installing and troubleshooting AV equipment, including: electronic media files, media players, projectors, monitors, and sound equipment
- Knowledge of necessary storage, safety, and handling methods for exhibited artwork
- Knowledge and experience to safely operate woodshop tools and power equipment such as jig saws, miter saws, table saws, electric tools, hand tools, ladders, to construct and accommodate art gallery displays
- General knowledge of safety practices and procedures
- Ability to work effectively and cooperatively with a team of AGCC staff, artists, and curators
- Ability to communicate effectively both orally and in writing
- A valid CA driver’s license or state or federal issued government ID is required
Responsibilities:
- Assist in the physical operation of an art gallery and performs tasks involved in storing, condition reporting, shipping, receiving, and installing art exhibits
- Maintain records and is responsible for the condition reporting, assembling, care, and maintenance of exhibiting artwork and ensures compliance with insurance or loan agreements
- Arrange, assemble, maintain, and dismantle materials and display structures used in exhibition programs at an art gallery
- Hang and focus lights according to an exhibit design using contemporary lighting consoles; selects proper lighting equipment for artwork based on the curator’s/artist’s requests and material sensitivity
- Oversee and maintain security related to the operation and maintenance of an art gallery during installs
- Direct and assist with the packing, unpacking, and transportation of art works and collections arriving and leaving an art gallery
- Assist in the orderly maintenance of the gallery surfaces (floors, walls, ceilings), fixtures, tools and equipment, and gallery storage
- Mount, label, place, and/or hang various objects of art ensuring that aesthetic and safety standards are met
- Operate and install AV equipment necessary to exhibit artwork including but not limited to projectors, media places, monitors, and sound equipment
- Operate, maintain and properly stores equipment such as power tools, painting equipment, and other equipment used in art galleries and art collections
- Design and construct art gallery displays and support structures, which may include but are not limited to, display shelves, pedestals, hanging fixtures, etc. for exhibitions as need
- Properly store supplies, tools, and equipment related to an art gallery
- Perform related duties as assigned
Schedule: Approximately 60-100 hours per exhibition de-installation/installation transition, according to exhibitions calendar at AGCC, and intermittently as needed.
All interested candidates should submit a resume and two references to Cecelia Koger cecelia@angelsgateart.org
Call to Artists: “The 13th Annual Art About Agriculture”
The 13th Annual Art About Agriculture presented by the Ag Art Alliance will be exhibited at the Santa Paula Art Museum from November 13, 2021 to March 6, 2022. The Ag Art Alliance was formed in 2007 by artists Gail Pidduck and John Nichols. The purpose of the exhibit is to promote awareness of agriculture by using art to explore its many facets – from workers to water, from machinery to fields, to the food that goes on our plates.
Art About Agriculture is open to all artists over the age of 18 working in both two- and three-dimensional media who create art that in some way draws its inspiration from our agricultural heritage and/or contemporary agriculture. That inspiration may include (but is not limited to) depictions of rural landscape, farm animals, farm products, and rural life. Art that in a more abstract way deals with issues and ideas related to agriculture will also be considered. All types of media will be considered. Only work created within the last three years will be eligible. Only work not previously shown at the Santa Paula Art Museum will be considered. There is an entry fee of $30 which covers the submission of up to three works of art.
Call to Artists: “Work From Home”
Work From Home is an upcoming, juried group show that will be exhibited at the Santa Paula Art Museum from September 18, 2021 to January 9, 2022. The Museum seeks to showcase the wide variety of work that artists in our region created during a year spent close to home. This is largely an open call; there are no restrictions as to subject matter, genre, or media. Artworks submitted may reference the pandemic, or not at all. The accepted works are expected to form a survey of local artistic output during this incredibly unique period.
Work From Home is open to all artists over the age of 18 who currently reside in California. All types of media will be considered. Only work created in 2020 or 2021 will be eligible. Only work not previously shown at the Santa Paula Art Museum will be considered. There is an entry fee of $30 that covers the submission of up to three works of art.
PAST/ PRESENT/ FUTURE – INTERNATIONAL EXHIBITION
IncuArts invites artists to submit work for Past/ Present/ Future– an exhibition exploring how time, experience, and history impact us.
Who writes history? Are we simply repeating ourselves? How does the past impact the present and future? Whose narrative is being told? What future are you fighting for? What is your story? Has your story been ignored by the collective mainstream?
Artists exploring ideas related to personal narrative, history, cultural issues, environmental issues, inclusion v exclusion, and social activism are encouraged to apply.
Women, BIPOC, LGBTQA+, and other community members who embody these experiences, and whose stories have been excluded from our cultural narrative are strongly encouraged to apply.
Artists of all media are encouraged to apply.
Each artwork will be considered based upon the merit of individual images submitted by each artist. Strict theme based entries are not necessary- the theme is a jumping off point, and meant to start a visual discussion.
A brief artist statement reflecting your ideas and how your identity is related to the exhibition theme is suggested.
Selected artists will have their work featured in the online exhibition and via social media platforms with individual write ups/ reviews.
