Los Angeles

Curatorial Research Fellow

We are seeking a curatorial research fellow at any stage of their career to help support the BROADCAST arm of our programming, highlighting media-based artists throughout the year. The selected candidate will design a cohesive program comprised of at least four BROADCAST segments (open to the public online events ranging from screenings, Q&A sessions with artists, and/or workshops) organized around a theme of their choosing. The research will be conducted from June to August 2024; at the end of that period, the fellow will present their program (and budget) to Prospect Art to seek funding to support the events and the curator in 2025. During this time, the curatorial fellow will be part of the NEW WORK review committee and will be expected to select half the artists for their program from the open call. This is an outstanding opportunity for the candidate to come in direct contact with a vast scope of artists. The selected curator will be awarded a $500 research honorarium for their curatorial research, with the possibility of receiving additional funds to conduct the program in 2025. We are particularly interested in curators who have a strong interest in environmental issues, climate change, and the impact of human existence in the arts.

Prospect Art was conceived during the 2020 pandemic. We are looking towards a world of representation and equality by creating new opportunities for local, national, and international artists. The organization is structured as an agile, responsive entity to serve artists, the local Los Angeles community, and beyond by supporting existing and new works to be presented to the public. We’re interested in breaking down silos and sharing information and knowledge to further artists’ careers and forge new alliances with the community.

Eligibility and Criteria:

– Open to artist-curators, academics, art historians, curators, graduate students, Ph.D. candidates, and those involved in post-doctoral research based anywhere in the world.

– Not open to undergraduate students.

– The ability to address contemporary issues with a background and understanding of art and cultural histories with an interest in media-based works.

Applicant Requirements:

– A short CV detailing your professional practice (up to 5 pages).

– One-paragraph biography of the applicant.

– One paragraph about an artist we have supported during our past two years of programming that interests you.

– Link to some of your online publications and/or curatorial statements and/or links to curatorial projects.

Duties for Awardees:

– Participate in the review committee for NEW WORK in the summer of 2024.

– Create a curatorial theme with online events and artists for our 2025 Broadcast Program.

 

Application Due: April 28, 2024, @ 11:59 PM Standard Pacific Time

Applications are accepted through the Google form on our website.

Send questions via email: submissions@prospectart.org

https://www.prospectart.org/curatorial-fellowship

Digital Fabrication Specialist (PT)

Job Title: Digital Fabrication Specialist (PT)
Department: Fabrication Shop
Reports to: Fabrication Shop Manager
FLSA Status: Part Time, non-exempt
Pay Scale: $25 per hour
Schedule: On-Site, Saturdays & Sundays (10:00am – 7:00pm)

Summary:
The Digital Fabrication Specialist should have advanced experience in the use and maintenance of Digital Fabrication equipment (CNC Router Mills/3D Printers/CNC Laser Cutters/3D Scanners). The Digital Fabrication Specialist will assist in managing CNC milling operations as well as all other areas of the Digital Fabrication Facility. Within a busy and fast-paced Academic environment, the Digital Fabrication Specialist will work closely with the Fabrication Shop Manager, Shop staff, student staff, temporary staff to assist students and faculty attain their academic and research goals.

Essential Duties and Responsibilities:

  • Co-Lead the advisement/training of Shop users in the safe and proper use of all Digital Fabrication equipment
  • Co-Lead troubleshooting/repair/maintenance of equipment and infrastructure
  • Co-Lead evaluation/implementation of equipment
  • Use/application of in-house Electronic/Online tools (Shop Mobile App)
  • Use/application of Microsoft Outlook Platform, including Teams
  • Assist in creating/updating safety documentation
  • Assist in creating/updating usage policies
  • Training of new staff
  • Training/supervision of student workers
  • Training/supervision of Temporary Workers
  • Assist in the creation of creation and delivery of live Digital Fabrication Workshops
  • Conduct live Digital Fabrication Workshops
  • Processing/troubleshooting/creating digital files
  • Advanced student digital file review/consultation/repair
  • Assist in managing 3D printing operations, including inventory tracking/reporting
  • Assist in managing Laser cutting operations
  • Assist in creation CNC toolpaths using Fusion 360
  • Assist in managing CNC Router Mill operations
  • Assist in managing 3D Scanning operations
  • Enforcing Shop policies/protocols
  • Maintaining a clean shop environment
  • Tool circulation/tracking
  • Inventory tracking/reporting
  • Working with Shop staff/students/faculty to complete construction of furniture, fixtures, jigs for the Shop and campus use
  • Other tasks, as assigned

Qualifications:

  • Proficient in the use of CAD software (Rhino/Fusion 360/AutoCad)
  • Proficient in the use of Microsoft Office Suite and Adobe Illustrator
  • Minimum 3 years of experience programming and operating CNC Router Mills
  • Minimum 2 years of experience with 3D printing equipment and related software (FDM/Polyjet)
  • Minimum 2 years of experience with CNC laser cutting equipment and related software (Universal laser systems preferred)
  • Minimum 2 years woodworking experience (table saws/band saws/jointer/planer/sanders/power tools)
  • Metalworking experience (welding/cutting/bending/finishing) preferred
  • Candidates should be comfortable wearing the appropriate respiratory equipment for work where dust and fumes are present, along with any other required safety equipment (face shields/goggles/protective clothing), candidates should also be capable of lifting 50 pounds
  • Must possess ability to safely perform the physical work required of all duties, including manual dexterity, agility, strength and coordination
  • Experience in an academic setting preferred

Other Requirements:

  • Must be comfortable wearing appropriate respiratory equipment for work in an environment where dust and fumes are present, along with any other required PPE (face shields/goggles/protective clothing/etc.)
  • Must possess ability to safely perform the physical work required of all duties, including manual dexterity, agility, strength, and coordination
  • Frequently: stand, walk, bend, reach above shoulder level, use of keyboard/mouse, light lifting (up to 25 lbs.), hand dexterity, hand twisting, simple grasping, light pushing / pulling; moderate assisted/unassisted lifting: moderate pushing / pulling; moving of machinery, exposure to outdoor work environments
  • Occasionally: sit, crouch/squat, climb, power grasping, heaving pushing/pulling
  • Must be able to work occasional weekdays/weeknights, holidays as needed beyond regularly scheduled hours up to (30) hours per week
  • Deliver excellent student service and maintain clarity and composure when faced with difficult situations

 

To apply, please submit an application vie our application portal: https://my.sciarc.edu/ICS/Employment_Info/  

 

We offer part-time employees paid time off

 

SCI-Arc is an Equal Opportunity Employer that Values Diversity.

Robotic Technician (PT)

Title: Robotic Technician

Department: Robot Annex

Reports to: Facilities Director

FLSA Status: Part-time, Non-Exempt

Pay Scale: $25.00 – $28.00/hour

Schedule: On-site, Thursdays – Saturdays, 9am – 6pm

 

Summary:

The Robotic Technician is responsible for assisting students, faculty and staff in the completion of coursework and research using the Robot Annex Facilities, which includes the ABB IRB 6700 and related tools. Within a busy and fast-paced Academic environment, the Robotic Technician will also be responsible for advising all Annex users. This position reports to the Facilities Director.

Essential Duties and Responsibilities:

  • Assist in supervising robot operations and other work within the Robot Annex
  • Process and troubleshoot digital files
  • Enforce Annex policies and protocols
  • Assist in the training and supervision of students and faculty
  • Repair and maintenance of robot and equipment
  • Maintain a clean Annex
  • Tool circulation and inventory tracking
  • Working with students and faculty to complete construction of fixtures, jigs for Annex
  • Other tasks, as assigned

Qualifications:

  • Working knowledge of robot control software and related design software (ABB RobotStudio, Rhino, Grasshopper)
  • Minimum 1 year experience operating 6 axis robot arms
  • Minimum 1 year experience with utilizing, developing, and maintaining robot end-arm effectors (could include ceramic extruders, plastic extruders, routers, grippers)
  • Metalworking experience (welding, cutting, bending and finishing) preferred
  • Hardware programming (Arduino) and wiring preferred.
  • Comfortable wearing the appropriate respiratory equipment for work in a dusty environment, or where fumes are present, along with any other required safety equipment (face shields/goggles/protective clothing)
  • Be able to lift and maneuver up to 50 lbs.
  • Must be able to work weekends, evenings and some holidays as needed

 

To apply, please visit our online application system https://my.sciarc.edu/ICS/Employment_Info/  

 

We offer part-time employees paid time off.  

 

SCI-Arc is an equal opportunity employer that values diversity.

The Power of Visibility: Boldness in LGBTQ+ Art

“The Power of Visibility: Boldness in LGBTQ+ Art” is an exhibit that highlights the importance of representation and visibility for the LGBTQ+ community. This exhibit will feature works that portray the lives, experiences, and struggles of LGBTQ+ individuals, shining a light on their stories and giving voice to their unique perspectives. Through a variety of mediums, including painting, photography, sculpture, and mixed media, “The Power of Visibility: Boldness in LGBTQ+ Art” will showcase the diversity and complexity of LGBTQ+ life, and the impact that visibility can have on promoting acceptance and understanding.

Participation in this open call is limited to those who are part of the LGBTQ+ community.

The art on display should be honest, raw, and full of emotion, capturing the essence of queer culture and identity. This exhibit is a tribute to the power of art to create change and inspire action, and a reminder of the importance of representation and visibility in promoting equality and social justice. Within this exhibition, artists are encouraged to draw inspiration from their personal journeys, utilizing their unique experiences to articulate narratives that reflect their own stories, challenges, and triumphs, and that resonate with the broader theme of LGBTQ+ visibility and empowerment. The examples below serve as initial prompts, offering potential starting points. Through this approach, the exhibition aims to empower artists to authentically share their narratives, contributing to a diverse and impactful collection of stories:

  • Identity Exploration: Artwork that delves into the exploration of individual LGBTQ+ identities.
    Focus on personal journeys, self-discovery, and the expression of one’s unique identity within the community.
  • Celebrating Resilience: Art that celebrates the resilience of LGBTQ+ individuals.
    Highlighting stories of triumph, strength, and perseverance within the community. in the face of challenges.
  • Intersectionality in LGBTQ+ Experiences: Art that explores the intersectionality of LGBTQ+ identities with other aspects such as race, gender, and ethnicity. Emphasis on the diverse experiences within the LGBTQ+ community and the intersections that shape them.
  • Love and Connection: Artwork that focuses on the themes of love, relationships, and connections within the LGBTQ+ community. Capturing the spectrum of relationships, from romantic love to friendships and chosen families.
  • Activism and Social Change: Art that reflects the role of LGBTQ+ art in activism and driving social change.
    Expressing the power of art to challenge norms, advocate for equality, and contribute to broader societal shifts.

SUBMIT HERE

This exhibition will run from June 22nd to July 20th, 2024.

Special events include:

Opening Receptions: Two inspiring afternoons celebrating the diverse and profound expressions of LGBTQ+ art. These receptions will serve as poignant celebrations of the diverse and profound expressions within LGBTQ+ art, emphasize the critical importance of representation and visibility within the LGBTQ+ community. The chosen dates for the opening weekend align strategically with the week of Stonewall, providing a historical context and further highlighting the resilience and history of the LGBTQ+ community.

Movie night: featuring either Paris is Burning 4 (1990) or After Stonewall (1999)

History of Stonewall: A special educational event in honor of Stonewall Day. Commemorating the historic march on New York during the original protests of police brutality, this event focuses on the history of gay activism. A distinguished guest speaker will provide insights, shedding light on the pivotal moments and contributions that shaped the LGBTQ+ rights movement. This event serves as a meaningful opportunity for community members to engage, learn, and reflect on the legacy of activism that continues to inspire change.

Strut Your Stuff: The grand finale of “The Power of Visibility: Boldness in LGBTQ+ Art” with our exhilarating closing event – “Strut Your Stuff! Costume Ball.” Drawing inspiration from the exuberance of Paris is Burning, this festive and safe costume ball promises an evening of joy, self-expression, and celebration. Attendees are encouraged to unleash their creativity through vibrant costumes, embracing the spirit of the LGBTQ+ community. As a culmination of the exhibition, “Strut Your Stuff!” invites everyone to participate in a memorable and inclusive celebration of diversity, resilience, and the power of visibility within the LGBTQ+ spectrum.

Original works of art in the following media are welcome: sculpture and assemblage; paintings, drawings, and collage; photographs, digital art, or videos; and printmaking. Work must have been produced within the last five years and may not exceed 36 inches in any dimension, including the frame.

Please note at this time, we are NOT accepting work produced by AI.

If you plan to exhibit a photograph or digital print of your own original work, it must be categorized as photograph or digital work, regardless of the original medium.

Jurors: There will be three jurors from different disciplines, to be announced. They will evaluate work based on creativity, relevance, and craftsmanship. Craftsmanship is “the quality that comes from creating with passion, care, and attention to detail.” (Smashing Magazine)

Important Dates:

  • Deadline to submit work: Wednesday, May 15th, 10PM.
  • Notification to artists: Week of May 28th.
  • Work dropped off at the gallery: Saturday, June 08, 3PM to 5PM; Sunday, June 09, from 10AM to 12PM.
  • Two Openings:  June 22nd and 23rd, 1-4PM.
  • The show runs from June 22nd to July 20th, Friday through Sunday, 1-4PM, and special events.
  • Artists pick up work on Saturday, July 20nd, 4-6PM, or Sunday, July 21st, 10AM to noon.

Deadline: Wednesday, May 15, at 10PM. We recommend you plan to submit your work at least one week before the deadline. So many little things can happen that require you to save your entry and get more information, retake a photograph, etc.

SUBMIT HERE

Application Requirements
Maximum size in any direction: 36 inches, including the frame. Work exceeding these dimensions will be disqualified.

Sales: All work must be for sale and be reasonably priced.

Ready to Hang: This means the work is delivered with the proper weight of picture wire and d-rings in a sturdy frame. No saw-toothed hangers!

Paintings on canvas do not need frames, but the edges should be clean. Works on paper are generally framed.  Artists may be asked to provide their own pedestal for three-dimensional work, painted white and clean.

Work must be neatly and professionally presented. If work is brought in that is not professionally presented, it will not be included in the show.

Work must match the photograph. Any work that appears different from the photograph that was used to apply for the exhibit will be refused.

Submissions: There is a $16 non-refundable fee for entry, regardless of whether your work is selected for the show.

Each artist may submit a maximum of 3 works.

Photographing your work: All art should be photographed straight on, with a high resolution. Photos should be cropped to the edge of the image to eliminate background—such as the frame, or the surface behind the artwork.

Eligibility Criteria: Open to all LGBTQ+ individuals residing in Los Angeles County (LA) and Orange County (OC), California.

SUBMIT HERE

Getty Marrow Collections and Curatorial Intern

The Getty MUI Collections and Curatorial intern will delve into the various processes inherent to collections and curatorial work at the Japanese American National Museum by cataloging, digitizing, rehousing and helping to curate hundreds of photographic negatives from the Toyo Miyatake Photographic Collection. All of this work will culminate in a capstone project that the Collections and Curatorial intern will design to make the Miyatake collection relatable and accessible to a broad audience.

This photographic collection, which comprises the work of well-known studio and fine art photographer Toyo Miyatake, chronicles the Japanese American community in Los Angeles and its vibrancy before the war, the tragic and unjust experience of incarceration during World War II, and the return and resettlement after the war. Toyo Miyatake became well-known for smuggling a camera lens into the Manzanar concentration camp and asking a carpenter to help him to construct a camera body so that he could surreptitiously take photographs to document daily life in camp since cameras were not allowed. Eventually, Miyatake received permission to take photographs at Manzanar and also opened and operated a portrait studio. Although Miyatake is synonymous with the documentation of the World War II incarceration experience, it is remarkable that a significant aspect of his photographic work at Manzanar has never been seen by the public. Through this project, the public will see Manzanar and the World War II incarceration experience through a new lens.

 

Digitizing and making this collection accessible is a joint collaboration between JANM and Alan Miyatake, grandson of Toyo Miyatake and third generation proprietor of Toyo Miyatake Studio.

 

In order to process this collection and make it accessible to the public, the collections and curatorial intern will assign catalog numbers, catalog the objects in TMS (collections management database), work with the digitization specialist on staff to digitize the negatives, research the historical context around the collection and relevant themes that the materials represent, and develop written context for inclusion on JANM’s various public-facing platforms.

Additionally, the negatives in this collection, along with existing materials in the collection will help the intern to develop a capstone project. While the Collections Management and Access and Curatorial departments at JANM are prioritizing work to make more of the permanent collection available through eMuseum, an online platform to display catalog information, a creative capstone project to share these collections with the public–highlighting the intern’s skillsets, talents, and interests–is required. The intern will determine an effective way to share this collection with a broad audience as a final capstone project, which could entail: an online exhibition through eMuseum, a zine, a series of blog posts, a short documentary, or another creative form.

Collections & Curatorial Intern Requirements: Competency in digitization/digital asset management, including scanning, photography, editing photographs in Adobe Photoshop is desired. Experience handling, cataloging, and rehousing archival and 3D artifacts is preferred, but not required. Familiarity with TMS or a collections management database is ideal, but not essential. Strong research and written communication skills are critical. Attention to detail and strong organizational skills are also essential. Google Suite and MS Office required.

 

The Collections and Curatorial Intern will have their own desk in the Collections and Management Access office. They will have a computer with access to the JANM network, internet, scanner, copy stand and printer.  The Collections and Curatorial intern will be expected to come in every day, as well, especially since the hands-on work with the collection materials must be done at the museum.

Getty Marrow Exhibition and Audience Engagement Intern

The Getty MUI Exhibitions and Audience Engagement intern will work closely with the Vice President of Exhibitions and Art Director and focus on supporting the exhibition Cruising J-Town: Nikkei Car Culture and its accompanying audience engagement materials. Automobiles have played a vital role in the Japanese American community since the early 20th century serving both a practical need, as well as symbols of an individual’s identity and place in society. Japanese Americans as racers, designers, customizers, and general enthusiasts, have long embraced the automobile as a way to express creativity, build community, and lend their own innovations to the broader culture.

Working closely with the VP of Exhibitions and curator Oliver Wang, the intern will focus on the development of educational activities that will support the understanding and interpretation of the role automobiles played in the development and identity of this community. The intern will help to organize many of the ephemera that have been gathered for this exhibition as well as help to identify key stories from the more than 70 oral histories that have been conducted in order to understand car culture and its impact on this community.

The final product for this internship will be several options for educational and audience engagement activities that will allow the visitor to have a deeper and more meaningful experience not only with the materials but with the meaning of the exhibition within the context of society and its larger implications with identity and culture.

 

Exhibition and Audience Engagement Intern Requirements: Strong research and written communication skills are essential. Strong attention to detail and highly organized. Strong design skills in Adobe Creative Suite, Digital Printing and a host of art production tools. Experience with graphic design and typography desired but not required. Interest in learning about working as an arts professional in a nonprofit. Familiar with Google Suite and MS Office Suite.

The intern will have a computer with access to the JANM network, internet, scanner, and printer. They will have access to Adobe Creative Suite, Digital Printing, and a host of art production tools. They will be working in a creative space next to the Media Arts Center where digital media is produced and have access to all viewing and editing equipment. They will also have access to a clean space to produce physical artworks and comps of ideas as they would be seen within the exhibition.

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